When you go through our site, you will be taken to the best selection and best pricing.
Getting it for the best price is why you come here… we have the best pricing on the Music you want from your Artists! And it is all right here.
GO HERE to see all Available Music, Albums, Artists at the lowest prices ever. Get used and new CD’s and Albums here. All in one place!
Use that link!
Maybe you like Taylor Swift!
You will be sure that you are getting the lowest price. Bookmark it for whenever you are searching for anything. Get access to the best pricing, and it is Free. We do the work so you get the savings.
Maybe it’s Josh Groban?
Any band, any artist, any song, any label, any album is all here. Whether you are into the music that is trending today or classics, we have it all. And we have it all at the best pricing. Just come through our site, and be linked to the best prices for anything you want.
Whatever your taste in music. It is all here. We have music on CDs, and the latest Music Videos on DVD, or the downloads, it is all here, and again – always at the best price.
What tune takes you back to good times? Add Music to your library fast and (again for the best price).
For baby boomers:
Get your Love of Music back again, or add to your Love of Music as you re-find the feeling of the Beatles. Music is known to be timeless, and you have access through us for the Best Price to re-create or create your Music library, Music playlists and work with any device of your choosing. This is the one stop, savings place for anything and all things Music.
AUDIO and VISUAL Needs Met Here! Get better systems. How about a new car stereo? See the best. With pricing to match. Fast shipping on all your Electronics, Audio and Visual needs. Do you need a new device to play music or a is there a new TV you’ve been wanting or wishing for? Get the best price on anything. Go Here to See it All!
How about Lady Gaga?
Maybe some Green Day? these guys have been around for a bit, but yet we never get tired of their lyrics and sound. And here is the thing… I can go on and on about all the great Music, great Bands, and great sounds, but its the way Music makes us feel that drives us continually to listen to it. We live our lives around it, reflect upon it, and receive inspiration by, through and with Music.
Rolling Stones anyone? Come on – you know you should have their entire collection just to be you… just to have it. And we have it – and anything inspired by their Music – all here. GO HERE TO GET THE BEST PRICES (always).
Looking into Music and where it all has come from, is today and going into the future, I would like to reflect on some of the latest trends.
The Beatle Effect
In one strand of Beatles lore, it was Ringo Starr who came up with the phrase ‘eight days a week’: an offhand joke about a working schedule that seemed to crush time. And while you watch this celebratory documentary from Ron Howard (Frost/Nixon, Rush), which focuses on the band’s hectic touring period, you feel pop history whistling past at speed.
Howard’s film follows the band from Ringo’s arrival in 1962 to their final paid live concert in 1966: four lifetimes of live performance crammed into as many years, whittled down to two hours of movie.
“We were force-grown, like rhubarb,” John Lennon laconically observes in one of many snippets. It’s a line that chimes with every step Howard shows us the band taking. It takes us all the way to the recording of their 1967 album Sgt. Pepper’s Lonely Hearts Club Band. The film positions it as the direct result of and necessary push-back against the exhilarating but punishing show-business whirl that led up to it.
A few seem like they’re there to give Howard’s largely US-centric film a more distinctive British flavour, It’s sweet that Richard Curtis feels his rom-com scripts owe a debt to the Beatles’ madcap early media personas, for instance It’s not clear,though why anyone watching this should be over the moon to hear it.
CREDIT:ROLLS PRESS/POPPERFOTO/GETTY IMAGES
But others capture the breadth of the band’s influence without pulling focus from the phenomenon itself: not least of all a brief word from Sigourney Weaver, in which the actress reminisces about a 1965 concert at the Hollywood Bowl over the top of contemporary news footage that grainily but unmistakably places her delighted 12-year-old self at the scene.
Other than obligatory signposts to epoch-defining events like the Kennedy assassination, there’s little historical context. That’s because Howard understands the band are the historical context.
The phenomenon of their live appearances defines the era with a spiky precision. Not just the concerts themselves, but also the cheeky press-conference preludes, and the hysterical, garment-rending fallout add to this.
The mid-century Civil Rights Movement becomes part of the story. For example, the band’s manager Brian Epstein included a line in their touring contracts specifying the band would not play to segregated crowds.
Whoopi Goldberg, was at the famous 1965 Shea Stadium gig. She says she “never thought of them as white guys.” She describes them as “colorless.”This is one of a few trains of thought you wish Howard had allowed to run through a few more stations.
The film shrewdly draws a line between the Beatles’ mischievous sense of humor and their producer George Martin’s earlier recordings of alternative comedy. (Martin had worked with the Goons. This was an enormous influence on the band’s growing lyrical eccentricity in that period. It also affected their off-the-cuff ribbing of strait-laced reporters. But like many other ideas here, it’s flicked through, then shelved a little too early.
CREDIT: APPLE CORPS
Vitally, though, the songs themselves get their due. Some appear in pleasingly unfamiliar forms. The film’s title track first turns up with Lennon and McCartney’s experimental introduction, before segueing into its better-known version.
Plus there’s the straightforward pleasure of hearing the tracks play through a cinema sound system – when Sgt. Pepper’s opening chords slam into your chest, the album really feels like an act of resuscitation.
What The Beatles did with the new lease of life that record gave them isn’t a matter for this film. But if Howard decides to address it in another, it’d be very welcome.